via flavorwire.com
life or something like it
“The extension of the art of dwelling is the art of living – living in harmony with man’s deepest drives and with his adopted or fabricated environment.”
-from designboom.com
- from newarttv.com
I was mesmerised from the moment I saw Kim Keever’s work, in a talk by the director of the Museum of Arts and Design (NYC). I missed the name, or got the spelling so wrong I couldn’t find anything on him till just now. This video gives an insight into how he crafts these dramatic, epic images – recalling a land before time – relying on algae, bubbles, lighting and the human need to see our world in dreamscapes.
- from 500photographers.blogspot.com
Newsha Tavakolian, 1981, Iran, is a self-taught photographer. Her work has been published in magazines as Time Magazine, Newsweek and Stern. Her main focus lies on women’s issues. She started out as a photojournalist, covering stories in Iraq, Syria and Lebanon amongst others. Slowly her work has shifted towards a more documentary and creative approach. In her series “listen”, she photographed six female singers who are not allowed to sing solo, perform in public or produce CD’s due to the Islamic tenets. She then created six images and turned them into CD covers for these singers. As a statement she left the CD cases empty. Newsha’s portfolio is filled with interesting stories. The following images come from “listen” and Mother of Martyrs.
-from 500photographers.blogspot.com
I was lucky enough to meet Peter Granser in Germany a few years ago. He gave me a copy of his amazing book, Signs, from which these images are taken. It’s a darkly funny/humorously tragic view of the Texan way of life, from a photographer whose sense of humour never outweighs his humanity. I’m really looking forward to seeing more work from Peter.
BUFFALO (AP).- Milton Rogovin, a social documentary photographer who built a life’s work by looking through a lens at people who were invisible to others, died Tuesday at age 101.
After being blacklisted in the communist scare of the 1950s, Rogovin dedicated his life to photography. His pictures documented the lives of the poor, the dispossessed, the working class — in particular those living in a six-square-block neighborhood in Buffalo near his optometry practice.
“He referred to these people as the ‘forgotten ones,’” his son said. “These were poor and working people who were not ever in the limelight.”
Rogovin found “forgotten ones” on New York Indian reservations and in far-flung corners of China, Zimbabwe, France, Scotland and Spain.
His first project was a documentary series on Buffalo’s black churches. Living on his wife’s schoolteacher salary, he traveled to Appalachia, Chile and Mexico to take portraits of working people — always using a vintage Rolleiflex, a bare bulb flash, occasionally a tripod, and black and white film.
- from artdaily