- from video.google.com
life or something like it
Like the glories of Art Deco and the allure of the “Mad Men” era, his products were a rebuke to the idea that the aesthetics of modern life needed to be utilitarian and blah. From the Apple store to “The Incredibles,” Jobs revived the romance of modernity — the assumption, shared by Victorian science-fiction writers and space-age dreamers alike, that the world of the future should be more glamorous than the present.
Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way — although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do.
- from the 99 percent
On Wednesday night, Comic superstar Adrian Tomine had a signing at (the awesome) Desert Island in Williamsburg to launch Optic Nerve 12. I won’t pretend to be any kind of expert in the graphic novel realm, but in the case of Optic Nerve, I’m a major fangirl.
I distinctly remember the first time I came across it – a friend was having a big sale/clear-out of his record store, and there was a copy of an early issue on the coffee table (not for sale). I opened it to a random page, and then had to sit down to read the next page, and the next… I spent the next hour ignoring everyone and everything around me. I couldn’t put it down.
There’s something so captivating and honest about his characters, and you end up reading the spaces around them as much as their expressions or words. So it was amazing to meet him in person and have a chat to him while he drew this for me, and customised another book for a friend. It’s awesome to meet your heroes and discover they’re just as approachable, sincere and funny as you imagined they’d be.
I love The Raincoats, so I was thrilled to find a flyer announcing a show in Brooklyn. At first I thought it must be a new band with the same name, because I didn’t think they’d played in about 25 years… thankfully, awesome reunions are still in vogue.
What a show. The venue, Warsaw, might be my favourite in all of Brooklyn/NYC – a beautiful Polish community club at the bottom of Greenpoint, built in 1914, with a stunning olde-timey ballroom that must have fit over 500 people. After the strange No Bra opener (she lived up to the name, and didn’t wear a shirt or pants either. Hmm.), support act Grass Widow were tons of fun, and then the grande dames themselves took the stage. It made me think about how older women are almost invisible in our culture, and why it’s so rare to see older women rocking out – seeing Patti Smith a couple of years ago was the only instance I could think of. We’re all the poorer because of it.
The Raincoats sounded as fresh and punky and cross as ever, sweet one minute, pissed off the next. I hope I can be as awesome as them when I grow up.
So why not use one of mother nature’s natural waste products—say, orange peels—as the raw material for biofuels and other petroleum-derived products? A chemist at the University of York in the United Kingdom has piloted a technique to do just that. Using high-powered microwaves, James Clark has figured out how to capture gas from fruit peels that can be converted into a variety of useful materials, from plastics to ethanol.
- from good.is
I don’t think it’s an exaggeration to say that David Simon has transformed the way many of us think about the interconnectedness of the social issues that plague our cities and communities in the C 21st. The Wire zoomed out, from the street corner to city hall, weaving an epic narrative on the political and economic pressures fracturing labor rights, hollowing-out education and crippling policing.
At the very least, he changed writing for television, and raised the bar for all comers.
So of course I was stupidly excited to hear that he’d be speaking at the BMW Guggenheim Lab on the LES. Simon took the mic and spoke honestly, angrily and informally, without notes, for two hours straight. I found myself agreeing with almost every point he raised. I stood on the edge of the crowd and took notes till my thumbs hurt.
Here’s all the quotes I managed to capture. They’re a bit random and disconnected, but you’ll get the general idea of the tone of his talk.
David Simon, NYC. August 31, 2011.
What I have found myself writing about is the end of empire: what happens when the affluent decide not to pay their share.
What we’re looking at now is the moral equivalent of a gated community…. I’ve got mine, so fuck him.
What we are looking at is the triumph of capital. I would date it to 1980: there has been a class war, and my class is winning.
Capitalism is the only way to build mass wealth: it is not a meaningful blueprint for a just society.
It’s a casino: if you mistake it for a mechanism that will build a just society, you do that at your peril. We’ve been doing that for 30 years.
The good news is that it’s going to get worse… It won’t be in NY, it’ll be in St Louis or another place like that… It’ll happen in places where the game is so rigged, where the crumbs that fall from the table are so small, that people will rise up.
The thing that made America great is organized labor… If you look at what labor gave us, it didn’t just give us a living wage. It created a consumer class, people who were willing to buy shit, that is the engine that drives the American economy.
If you come to NY you feel like the center of the universe, everything happens first here… It’s the triumph of NY that the rest of the world doesn’t matter that much. The problem is that whatever cancer the rest of the country is experiences, you don’t feel it here.
People are being thrown away, people that we dont need, people being trained for the corner. When you just don’t need 15-20% of your population anymore, economically, all you can do is make them chow for the system. It makes economic sense to make money off human misery.
Our prisons are publicly traded companies. How do you get 6 or 8% profits when you’re running prisons? You have to make it a growth industry: you have to send more people to jail.
We have more people in jail in America by sheer number and percentage than China, than any other state in the world…. Criminal justice is the largest growing lobbying group. The core chow is people trying to move to a better life, and low-level drug offenders.
Capital has not only achieved this for itself, it has also purchased the government that you might want to use to do something about it.
Two things: opt out for drug wars, acquit low level offenders.
Question time: usually 50% of questions about Omar
Question on the response to Obama’s healthcare plan: this is about the upper middle class, the middle class, and even the working class saying: if someone is below me, fuck em. What do you think the concept of group healthcare is? It’s socialistic. What they’re saying is I want socialism for me, for people who look like me, who work where I work. When people who are affluent do this, that’s a society in decline.
I’m not looking for moustache twirlers: I just think money routes itself. I think the collapse of high end media isn’t a conspiracy, I think that it’s just good luck for capital.
I took my buyout (from The Baltimore Sun) before the Internet, with 100 other reporters, when the Sun was making a 37% profit. This wasn’t a technological issue: only one thing makes society and people that stupid: money. They could make more money putting out a shittier product. All we have left is Barnum, putting our hand in the next guy’s pocket. If they can make money now, they don’t care if the industry survives the next three months.
I think things can change: I think the first good sign is the Times charging for content.
Question on whether is is better to make these points through art, than journalism: I get more attention: I get to do nice things like talk to you about cities tonight because I made a television show… I wouldn’t have been invited here if I was the police reporter for the Balitmore Sun.
It doesn’t work because it’s more expensive than journalism: it costs HBO $30 or 40 million to make a
season of the Wire or Treme… That’s too much money and it takes too long.
Question about filmmaking: I dont know anything about making a film. I have a general studies degree from the University of Maryland.
I can’t tell a story in a medium where you have to stop every 12 minutes to sell people shit. You need to keep eyeballs…. And you can’t tell a story that is dark, much less something that is tragic, because no one wants to watch that shit and then go out and buy iPads and Lincoln Continentals… Premium cable has taken that dynamic and shattered it…. Now that it’s about DVDs and on demand, the ratings mean even less. That economic model makes possible storytelling that is plausible.
I tend not to hire TV writers: I think it’s easier to bring journalists and novelists through the keyhole into TV. If they make tv I don’t want them: I’m scared that it’ll end up too much like TV.
Next show: We can’t find anyone who is willing to do anything on organized labor. I’d love to do mini-series on key moments in organized labor, but no one is interested. It’s like talking about a museum piece for most people.
I see the American middle class as a person at a casino with the hand on a machine, not noticing everyone around them going bust. All they can see is the guy two rows over who is winning, and all the bells and whistles are going off… There is the secret notion among all these people who are getting creamed that one day I might be the guy on the machine that wins. It’s that level of perfect greed that our political demagoguery takes advantage of to get people to vote against their own interests.
What people forget when they bitch about welfare is that 99% of that money goes straight back into the economy. When rich people make money is goes into the bank.
As in: “That girl really photobummed both these shots of Stephen Malkmus and the Horrors.”
Also, get well soon Timba Smits. You are one of those real Aussie legends.
I believe that the only way to change American society, and indeed I think this is true of other societies as well, is for people to discover the power latent in the cooperative roles that they play in a range of institutions. It’s like the old IWW song, “It is we who tilled the prairies, laid the railroads, built the cities… ” And we could add suckled the babies. The IWW was trying to discover and show its people that they play an important role in the society. And show them that the way they are insulted, abused, and oppressed is unjust, but not just that it’s unjust; it’s because they play an important role that they can change the society. That role is potential power. What they do when they go to work, when they obey the laws, or when they don’t obey the laws—is a source of power. I think it’s the question of the power of the oppressed that has been the central question in my life, both as an analyst and as an activist.
I think that at this point it’s extremely important for us to start talking more about how to answer this campaign, and not to divide things into a “woman’s issue” over here and a “unions issue” over there. It’s a full-scale attack on all the progress we made right after the Depression and then built upon in the ’60s, toward actually creating a social safety net and improving the security of all Americans. I get upset when I hear women’s groups taking about women’s poverty without linking that issue to the problem of declining real wages and increasing economic insecurity for less-educated men. And I also think liberals have to stop talking so much about “compassion” for blacks or women and should pay equal attention to the crisis of working people who do have jobs. It’s a sad day when the main people talking about defending the working class are right-wing ideologues whose social programs are destroying the security of working Americans and fostering the concentration of wealth among the richest 10 percent of the population.
- from guernicamag.com
We visited Jane’s Sweet Buns (at St Mark’s Place) on my birthday, and I demolished an Old Fashioned Bun with bourbon pecan and sticky caramel, washed down with a choc mint iced tea from Physical Graffitea a few doors down. Jane’s store is stupidly cute and I love the concept behind it: sweet buns based on old-style cocktails. Win-win! Click for more pics.
Yes, I know it’s bad and wrong to take photos in an exhibition, but I couldn’t help myself. Such an incredible exhibition, a fitting celebration of a brilliant artist and designer. I couldn’t handle the 2.5 hr line so I became a member of the Met and jumped the queue.
In his book, By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons, Ralph Caplan advises us not to underestimate the power of situation design, or “the concept of moving from the design of things to the design of the circumstance in which things are used.” He asserts, “The most elegant design solution of the fifties was not the molded plywood chair or the Olivetti Lettera 22 or the chapel at Ronchamp. It was the sit-in.” Finally, a definition of design that emphasizes the economy of time, an understanding of resource availability, and most importantly, using what’s at hand rather than producing more goods to solve a problem.
- via GOOD
Milk crates are a fantastic material for many reasons; they are structural, light, modular and they have an iconic role in Melbourne’s cafe image and laneways. We believe that familiarity to a material plays an important role in engaging with it.
PlayMo uses 3 different types of crates. Black = platforms, Grey = stairs, Green = movable. The green crates provide the undefined random element; people rearrange their seats or even build small stairs themselves. There hasn’t been a single day where we found them in the same place. We found artworks, plants, toys, pillows, new crates and received hundreds of letters. We even found that people had constructed a bin so that (they) could be kept clean.
via PSFK
I write from the city where Gutenberg’s erstwhile partner and funder, Johann Fust, was nearly arrested because he came here to sell printed Bibles. The booksellers in Paris called the policy on him, declaring there was no way he could have so many Bibles except from the work of black magic. Well, today, the internet is still black magic. We don’t know what it is yet. To define it, restrict it, regulate it, limit it before we even know what it is, there is danger there.
Yes, President Sarkozy, you can do harm.
- from buzzmachine.com