a sovereign state of self involvement/adrift in the pacific/impassive as the idle and impassioned alike/drown in the roaring thirties

image: Noemie Goudal line: me

I felt that I was a fake, an amnesiac, improvising my life moment by moment, and that nothing stuck to me, least of all insight… Every night I was shorn of the experiences I gained during the day.

– Edmund White, The Beautiful Room Is Empty

yellow lamps warm the reluctant sky/coaxing forth a silver morning

image via mydamnblog.com

Song for the Mute’s beautiful campaign


- from sidestreetsydney.com.au

‘proyecciones en el exterior’ by Spanish artist Ibon Mainar

Granta’s New Literary Stars Of Spain And Latin America

The street is a psychotic migratory wave: people walking in groups, nobody going in the same direction. They walk with the same sluggish gait, crushed by the heat and lack of air. Along the banks a string of large, run-down houses and mansions from the colonial period now converted into human dovecotes, one family per room, are all in the same state: peeling paint, broken glass, tall weeds, holes in the ceilings and walls.

Lucia Puenzo, “Cohiba

The High Line: Model for a City or Not?

Of course, the panel pondered that universal question, What would Jane Jacobs think? Would she celebrate walking through the city on the High Line? Gladwell reminded the audience of Jacobs’ mixed feelings for parks, but all three panelists guessed that she would appreciate the park as a success of adaptive reuse, a symbol of post-industrial transformation and a reminder of the inherent history of the area — even if it is a large, planned urban intervention.

Mollenkopf’s next question — about how people use the High Line and how it has affected the neighborhood — prompted Hammond instantly to rattle off some facts: 2 million visitors per year, 15,000 visitors on a busy Saturday, 50% of people who visit are New Yorkers, 25% are from Europe and Japan. He mentioned that some businesses in the neighborhood said that the recession ended when the High Line opened. But beyond its appeal to tourists, he stressed that he sees the High Line as a neighborhood park with programs planned for the local community. Gladwell added that he includes the High Line in the wave of recent efforts to reclaim the city from the automobile, along with Hudson River Park and the 9th Avenue bike lane. And Perine pointed out the unique perspective of the city one gets while standing on the High Line, unlike any you can get from your apartment window.

The conversation turned towards economics when Perine raised concerns about the building and maintenance cost of the park, emphasizing that the High Line can’t and shouldn’t be a model for other urban parks. Though supported in great part by private money, it has also received significant public funding, while other public spaces in the city don’t have enough backing even to expect regular trash collection. Economic spillover arguments are weak, she argued, maintaining that there are too many factors involved to attribute all positive effects to the High Line alone. Hammond, citing a comprehensive study that identified the statistics he mentioned, argued that parks like the High Line, which are based on public-private partnerships, actually free up city money. He also pointed out that the City’s budget for parks is one half of one percent, far too little to support the City’s parks no matter what. While Hammond and Perine debated, Gladwell proposed that, rather than rezone neighborhoods, we aim to curate them. For him, an engineered capacity of surprise is what a successful city of 21st century needs.

So, is it a model for a city or not? No consensus was reached, so Mollenkopf asked each panelist to name another project that inspires a certain standard of urban design. Perine referred to a number of parks in the US, including Bloomingdale Trail in Chicago, and then singled out the brilliance of German efforts at creating open spaces in postindustrial landscapes such as Emscher Park, a project she admires for its innovation and creativity at low cost. Hammond agreed and gave the example of City Nature Park in Berlin, a 30-acre park that cost about $1.5 million. Both Perine and Hammond admire the way Europeans appreciate and adapt their industrial past while Americans have been slow to reclaim such landscapes. Perine felt that the United States’ regulatory framework has not caught up with the changes happening in its socio-economic framework.

- from a panel discussion documented by URBAN OMNIBUS

Afghani kids learn to skate: Skateistan (nine minute doco)