Boho Interactive

We can fight for science by being cool with the idea that it’s not our jobs to be an encyclopaedia, and it’s not our job to present a balanced view. Artists are supposed to be intuitive and feeling, so they should be encouraged to find things that make them feel strong emotions and try to channel that without worrying about coming across as biased or filtering it through a rational mindset. The instinct to qualify what you’re saying is characteristic of scientists, and those sections of the media with any integrity, because they don’t want to be proven wrong. But most media outlets have financial interests outside of presenting an even or scientific view, so impartiality isn’t on the cards – it’s up to the arts to do what it can to balance that out. The arts has always been the best way to communicate the beauty and the terror of science, so we just need to play to people’s emotions on topics we feel strongly about. And we do that by yelling as loud as we can.

via bohointeractive.com

Building Facades Of The Future Will Display Music And Video Art

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via psfk.com

Yugoslav War Memorials

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Photographer Hal: Shrink-Wrapped Couples

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via flavorwire.com

Inhotim, Brazil

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Graffiti Printer Uses Arduino & Seven Mounted Spray Cans [Video] @PSFK

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- from psfk.com

UVA: Connection, Toronto

Connection from United Visual Artists on Vimeo.

- from thepolisblog.org

William Eggleston. Outskirts of Morton, Mississippi, Halloween. 1971

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- from moma.org

To see in London: Amnesty International Photojournalism Awards

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Amnesty International Media Awards Winners 2011 is up until November 8 at Amnesty International UK’s Human Rights Action Centre and Simon Roberts -

We English remains open through 19 November 2011 at Flowers galleries.

- from we-make-money-not-art.com

Looking forward to seeing Grayson Perry: Tomb of the Unknown Craftsman at the British Museum

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Malasaña, the best agreement between street artists and merchants

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Hi, Adrian Tomine!

On Wednesday night, Comic superstar Adrian Tomine had a signing at (the awesome) Desert Island in Williamsburg to launch Optic Nerve 12. I won’t pretend to be any kind of expert in the graphic novel realm, but in the case of Optic Nerve, I’m a major fangirl.

I distinctly remember the first time I came across it – a friend was having a big sale/clear-out of his record store, and there was a copy of an early issue on the coffee table (not for sale). I opened it to a random page, and then had to sit down to read the next page, and the next… I spent the next hour ignoring everyone and everything around me. I couldn’t put it down.

There’s something so captivating and honest about his characters, and you end up reading the spaces around them as much as their expressions or words. So it was amazing to meet him in person and have a chat to him while he drew this for me, and customised another book for a friend. It’s awesome to meet your heroes and discover they’re just as approachable, sincere and funny as you imagined they’d be.

I need this above my desk.

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Also, get well soon Timba Smits. You are one of those real Aussie legends.

Sneaky pics from the Alexander McQueen show at the Met

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Yes, I know it’s bad and wrong to take photos in an exhibition, but I couldn’t help myself. Such an incredible exhibition, a fitting celebration of a brilliant artist and designer. I couldn’t handle the 2.5 hr line so I became a member of the Met and jumped the queue.







Juliana Santacruz Herrera’s knitted fixes to cracks in the footpath

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- from designboom.com

Timelapse video, the making of Nicolas Pol’s “Sick Atavus of the New Blood”

Anish Kapoor: Monumenta 2011 – Leviathan

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Genius of the day: Charlotte Perriand

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“The extension of the art of dwelling is the art of living – living in harmony with man’s deepest drives and with his adopted or fabricated environment.”

-from designboom.com

Awesome animation by Mark Whalen, “White Out”.

from Mark Whalen on Vimeo.

It is in that golden stain of time that we are to look for the real light

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Antwerp Cathedral. Belgium.

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Call me old fashioned, but I love visiting a cathedral. 

However secular a culture may be, their religious institutions contain traces of the fundamental values that colour a society. In the case of the Antwerp Cathedral, it spoke to me of a hertiage rich with experimentation and adoption, open-minded, acquistive, and inquisitive. 

There’s a richness of colour, and playfulness with pattern and design that is unique among the many I’ve visited in Europe. There’s a lovely record of the layers of occupations and style. Heraldic identity is strong, and somehow there is a sense of independence from Catholic dogma.  

See the full gallery on Posterous

Louie Cordero

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-from designboom.com

The explosive insanity of Conrad Ruiz

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-from madebysix.wordpress.com