Like the glories of Art Deco and the allure of the “Mad Men” era, his products were a rebuke to the idea that the aesthetics of modern life needed to be utilitarian and blah. From the Apple store to “The Incredibles,” Jobs revived the romance of modernity — the assumption, shared by Victorian science-fiction writers and space-age dreamers alike, that the world of the future should be more glamorous than the present.
























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